At the Movies: Charlie Chaplain in The Immigrant (1917)

At the Movies:  Charlie Chaplain in The Immigrant (1917)
Image courtesy of Wikimedia Commons

Zachary Barnes for the Wall Street Journal (America 250: The nation on the big screen) considers movies that reflect on the United States on its 250th birthday. He writes about

"`The Immigrant.'  A typically ingenious comedy, it also tells as deeply American a tale as any—that of the world’s tired and poor arriving on the nation’s shores. Chaplin is a master sentimentalist, but not averse to occasional sharpness: The moment the film’s boatload of immigrants sees the Statue of Liberty is followed by an official roping them off like cattle. Once Chaplin’s character disembarks, though, a bit of pluck and a stranger’s generosity pull him out of a possible pit, and a new American life is born. Himself an immigrant from England, Chaplin was eventually chased out of the U.S. during the Red Scare, but `The Immigrant' poetically distills the country that was, for a while, his home."

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The Conversation:  US migrant flights to Liberia evoke troubling history of sending people deemed unwanted to the West African nation

The Conversation: US migrant flights to Liberia evoke troubling history of sending people deemed unwanted to the West African nation

Karen Masterson in The Conversation (US migrant flights to Liberia evoke troubling history of sending people deemed unwanted to the West African nation) offers interesting historical background to the Supreme Court’s recent decision to temporarily allow the United States to resume deporting migrants to third-country destinations: "[T]he

By Kevin R. Johnson